A studio built by filmmakers, for filmmakers. Major-studio capital and distribution — without the creative compromises, the back-end mystery, or the IP grab.
Four contractual commitments that hold across every IPX Studios production deal — written in, escrowed, and enforced on-chain.
Final cut sits with the director on every IPX Studios deal — written into the contract, escrowed in the production agreement, enforceable by smart contract.
Every line of the budget is visible to talent and investors in real time. No black-box overhead, no studio rake, no surprise debits at the back end.
You raise from fans, investors, and IPX itself — without signing away IP, sequels, or your next three projects. You own what you make.
Talent participations run as smart-contract waterfalls. Every revenue event — theatrical, streaming, sequel — automatically pays the talent stack the same week it clears.
Above-the-line, below-the-line, and everyone who walks the line. We staff for craft, not for credits.
Have an agency, manager, or attorney representing you? We talk to them too. We run a fully unionized, signatory shop.
Talent rep contactFrom a one-page deck to first day of principal — here is exactly how a project moves through IPX Studios.
Send a logline, lookbook, and 1-page deck. Optional: sample pages or a short. Submissions are read by a producer within 14 days — every time.
If it’s a fit, we move into a paid development deal. Notes are collaborative, not gate-kept. You keep underlying rights through development.
On greenlight, the project is structured as an SPV and fractionalized on IPX. Investors come in. You retain creative control and your above-the-line stack.
Production runs through our owned stages and crew network. Once distribution starts, smart-contract waterfalls pay you the same week revenue clears.
A demystified walkthrough of how IPX takes a greenlit project, structures it as a bankruptcy-remote SPV, and lets investors back you on a public ledger — without you giving up creative control.
A direct comparison against the standard major-studio production deal — without the marketing spin.
Studio retains final cut on most films
Director-final on every IPX Studios deal
Quarterly statements, often years late
Real-time, on-chain, line-by-line
Studio owns IP, sequels, & merchandise
You retain IP through SPV; sequels negotiated separately
1–3 financiers, weeks of legal
Fractional capital from a global pool, days to close
A producer reads every submission within 14 days. You hear back from a human, not a form letter.