A studio built by filmmakers, for filmmakers. Major-studio capital and distribution — without the creative compromises, the back-end mystery, or the IP grab.
Four contractual commitments that hold across every IPX Studios production deal — written in, escrowed, and enforced on-chain.
Final cut sits with the director on every IPX Studios deal — written into the contract, escrowed in the production agreement, enforceable by smart contract.
Every line of the budget is visible to talent and the community in real time. No black-box overhead, no studio rake, no surprise debits at the back end.
You raise from fans, members, and IPX itself — without signing away IP, sequels, or your next three projects. You own what you make.
Talent participations run as smart-contract settlements. Every revenue event — theatrical, streaming, sequel — automatically pays the talent stack the same week it clears.
Above-the-line, below-the-line, and everyone who walks the line. We staff for craft, not for credits.
Have an agency, manager, or attorney representing you? We talk to them too. We run a fully unionized, signatory shop.
Talent rep contactFrom a one-page deck to first day of principal — here is exactly how a project moves through IPX Studios.
Send a logline, lookbook, and 1-page deck. Optional: sample pages or a short. Submissions are read by a producer within 14 days — every time.
If it’s a fit, we move into a paid development deal. Notes are collaborative, not gate-kept. You keep underlying rights through development.
On greenlight, the project is structured as an SPV and opened to the community on IPX. Members and backers come in. You retain creative control and your above-the-line stack.
Production runs through our owned stages and crew network. Once distribution starts, smart-contract settlements pay you the same week revenue clears.
A demystified walkthrough of how IPX takes a greenlit project, structures it as a bankruptcy-remote SPV, and lets fans and members back you on a public ledger — without you giving up creative control.
A direct comparison against the standard major-studio production deal — without the marketing spin.
Studio retains final cut on most films
Director-final on every IPX Studios deal
Quarterly statements, often years late
Real-time, on-chain, line-by-line
Studio owns IP, sequels, & merchandise
You retain IP through SPV; sequels negotiated separately
1–3 financiers, weeks of legal
Community-backed capital from a global pool, days to close
A producer reads every submission within 14 days. You hear back from a human, not a form letter.