
The first Mets legend on the exchange for intellectual property — a four-part bilingual docuseries produced by IPX Studios, funded by the fans, majority-owned by José. Hold $MELAZA.
Fans turned The Last Dance into a global event — then owned none of it. José keeps the majority. The audience rides with him.
Every episode cold-opens on seven seconds that changed his life — played three times: broadcast, family tape, and José’s memory of it today.

June 10, 2003 — first MLB at-bat, heard on a transistor radio in a DR kitchen.
A town, a broomstick, a bottle cap. Signed at 16 for next to nothing — the pipeline that builds shortstops, and the family that built this one.

Endy’s catch, Game 7, 2006 — from the on-deck circle.
Debut at 19. Triples into the gap, Los Mets, 2006 heartbreak, the .337 crown — and the exit that broke Queens’ heart.

A Rockies clubhouse TV announcing his trade, mid-shave.
Miami. Toronto. Colorado. Money, injuries, the fall from grace — and owning all of it. The 2016 return, and mentoring the next No. 7.

A studio playback meter jumping where a crowd used to be.
The stadium goes quiet; the studio gets loud. EL7 Music, family, the academy kids — and what a legacy sounds like.
Dominican light. New York steel. 4:3 archival that interrupts, argues, and answers the present.
José narrates in Spanish and English — the series moves between languages the way his life does, mid-sentence, without apology.
A literal table. José and family lay hands on objects — the first glove, the 2011 lineup card, a bottle cap — and the story runs from the object.
Each episode cold-opens on seven seconds that changed his life, played three times: broadcast, family tape, and José’s memory of it today.
The street game threads all four hours — kids in Villa González, a night game under lights in Corona, José holding a bottle cap like a championship ring.
Honeyed, handheld, alive. Alexa 35 at golden hour, 96fps for vitilla caps and infield dirt. The DR is shot like memory.
Winter blues, long-lens compression, the 7 train rattling over Roosevelt Ave. An empty Citi Field is the Sistine Chapel.
4:3 archival, VHS family tape, tabloid back pages, 2006 broadcast grain. Archival is never wallpaper.
4 NY days · 7 DR days · 1 travel. Then EPs 102–104 roll through February.
Fans buy in on the bonding curve. The raise closes at $5,543,500. $5.0M escrowed to production before a camera rolls. José puts in the story — and zero capital.
SEC-compliant rails. Custody and market making handled by IPX.
$5.0M to production. $543,500 to deal costs. Not a dollar from José. Not a dollar from a network.
IPX Studios delivers all four episodes — crews, budget, post, delivery on streamer spec.
Citi Field premiere · OTT · LatAm / Caribbean · merch + EL7 soundtrack. Every window feeds the same 60/40.
Circulating at target: 47%. Locked under tokenomics: 53%. Token markets carry risk; figures are V5 model outputs, not promises. Lifetime IP potential modeled at $10.0M — José’s 60% share $6.0M.
Four tiers on the live listing. Every tier keeps all perks below it — your $MELAZA balance is the keycard.
Holders earn $MELAZA all season — tune in live for POAP badges, cut the vault down, share the story, bring fans.
Watch each premiere live, claim the badge. Four badges in the series set — complete it for a bonus drop and a tier boost.
Cut verticals from episode footage, post with #LaMelaza — verified view milestones pay out.
Share episodes through your tracked member link. Capped per window.
Refer a new verified member into the dugout. The leaderboard runs all four hours.
Multipliers by tier — Dugout Pass 1× · Shea Crew 1.25× · Vitilla Circle 1.5× · La Melaza 2×
One audience nobody else can convene — and a partnership that keeps creative control with José.

Subject, narrator, majority holder. 16 MLB seasons. EL7 Music. 2024 La Casa de los Famosos. 100% creative control — including how the 2016 chapter is told.

Funds 100% of the $5.0M season and delivers crews, budget, post, finishing and delivery. The series arrives at a buyer’s door already financed.

José’s label. Güira and tambora replace the sports-doc string section. Every act break lands on a needle-drop the partnership already owns.
A four-part prestige docuseries — 4 × 60 minutes, bilingual EN / ES — about José Reyes: from a dirt field in Villa González to the roar of Shea, and the reinvention after the final out. The Last Dance rigor. Dembow pulse. Kitchen-table warmth. José narrates his own story in two languages. Working title: LA MELAZA. Produced by IPX Studio X.
The founding-talent token under the IPX V5 C-List model. 1 billion supply, 60% to José / 40% to IPX. The bonding-curve raise closes at $5,543,500 — $5.0M escrowed to production before cameras roll. Reference price at the $1.0M FDV target is $0.00212766. Holders unlock the tier ladder and earn more by repping the series. FDV is a target, not a promise.
Yes. Tokenization monetizes economics only. Ownership, rights, final cut and narrative control stay entirely with José — including how the 2016 chapter is told. He puts in the story and the access. He puts in zero capital. Production risk sits with IPX Studios.
Dugout Pass (~$26): episodes early, watch parties, POAPs. Shea Crew (~$255): Citi Field premiere lottery, merch, 1.25× earn. Vitilla Circle (~$2,555): EL7 vinyl, vitilla nights, DR drawing, credits. La Melaza (~$10K): confirmed premiere seat, academy access, executive-tier credit, 2× earn.
Twelve pilot days Nov 16–27, 2026 — 4 NY, 7 DR, 1 travel. EPs 102–104 roll on the same spine through February 2027. Post January–May. Citi Field premiere in Q3 2027, then the OTT licensing market.
No. This page is informational demo material prepared from the July 2026 pitch package. Token markets carry risk; all figures are V5 model outputs and illustrations, not forecasts or promises of return. Any offering would be made solely through definitive documents.

LA MELAZA × IPX — produced by the studio, funded by the fans, majority-owned by José. Read the deck. Take your seat.
Four hours · Two languages · One ownership layer